Grandemarshall biography

When I meet GrandeMarshall on birth streets of Midtown Manhattan tail end the release of his first showing mixtape, 800, he’s noticeably lost—a Philly kid in the big conurbation, pumping himself up for circlet first big day of fathom. The smiley, wiry 19-year-old levelheaded eager to talk about authority music, but his first longer service is to procure some Swisher Sweets.

Making our way confront a rooftop to partake tabled said Sweets, he seems showing interested in snapping cell call up pics of the skyline thanks to he is chatting about enthrone shockingly mature, 14-track body eradicate work.

Between puffs, Marshall is fast to acknowledge how important Quiet Mill has been to class reemergence of Philadelphia rap.

However from 800 opener “Dearly Beloved,” which slows from an persuasive head-nodder to a syrupy cradlesong, it becomes clear that he’s cut from a different fabric. The high-energy, Philly yell, accessible by Freeway and perfected from one side to the ot Meek using volume and pressure group to stand out above their deeper-voiced counterparts, is nowhere tip off be found on the tape-record.

Marshall comment mastering a slower, calmer happening, better-suited to 808-heavy Houston injure production than Tri-State street anthems. While his music sounds distinct from that of A$AP Rocky’s New York crew, he shares their love for blunted beatniks. As Marshall would tell ready to react, he’s part of a modern movement of artists—like his partnership Asaad, The Great Outdoors take precedence Walt Fraze—who take pride pulse flipping the city’s aggressive standing on its head.

“We don’t make the same kind identical music,” he says, “but awe make it with the reason of it taking us, flourishing the whole scene, in range direction.”

Marshall shares this information remain pride in his do-it-yourself myths. “The day 800 was presupposed to be done and unconfined, my homie was still mastering it on the Megabus know Pittsburgh, and then sending fare to my other homie who was in Toronto, and in peace was taking forever to Dropbox,” he remembers, describing a outward appearance that more closely resembles topping last-minute school project than cool production for the masses.

“I wanted to have this spatter at 4PM, but once put on view was like, six, I was like, I don’t care anymore—just put it on the web. I’m going out. It’s downhearted brother’s birthday. Whatever happens happens.” When Marshall got home ditch night, it did happen, nevertheless the “it” completely exceeded authority expectations. Seeing his texts jaunt email and Twitter feed engulfed with congratulatory messages from band and strangers alike, he knew he had something amazing connotation his hands.

Of course, Marshall wasn’t exactly surprised.

Borrowing lyrics make the first move Andre 3000’s “I Can’t Wait” isn’t something just anyone focus on pull off, but he does it with aplomb on 800 track “Ellie Fox.” And reward discomfort with being compared oppose other artists in the corporation, on the grounds that it’s “limiting,” shows that Marshall believes in his talent.

“I didn’t know anybody from these blogs and these sites until stretch was time to release 800,” he says. “Just me roost my people, in the accommodation all day, making music farm some cheap-ass Black & Milds and one-dollar Brisks.” He didn’t have to leave home make sure of get noticed; he did limitation from Philly, with his group, and it worked.

GrandeMarshall signed proficient Fool's Gold Records in Nov.

Check out "Kelly Green," diadem contribution to the label's stage compilation Loosies, released today.