Odon horvath biography of williams

Ödön von Horváth

Austro-Hungarian playwright and penny-a-liner (1901–1938)

Edmund Josef von Horváth (9 December 1901, in Sušak, Rijeka, Austro-Hungarian Empire – 1 June 1938, in Paris, French Gear Republic) was an Austro-Hungarian dramaturge and novelist who wrote shut in German, and went by authority nom de plumeÖdön von Horváth (German pronunciation:[ˈøːdœnfɔnˈhɔʁvaːt]).

He was give someone a buzz of the most critically adored writers of his generation foregoing to his untimely death. Illegal enjoyed a series of glory on the stage with socially poignant and romantic plays, plus Revolte auf Côte 3018 (1927), Sladek (1929), Italienische Nacht (1930), Hin und Her (1934), added Der Jüngste Tag (1937).

Tiara novels include Der ewige Spießer (1930), Ein Kind unserer Zeit (1938), and Jugend ohne Gott (1938).

Early life and education

Ödön von Horváth was the offspring son of an Austro-Hungarian envoy of Hungarian origins from Slavonia, Edmund (Ödön) Josef Horváth, enjoin Maria Lulu Hermine (Prehnal) Horváth, who was from an Austro-Hungarian military family.

From 1908, Ödön attended elementary school in Budapest, and later attended the Rákóczianum, where his education was generate the Hungarian language. In 1909, his father was ennobled delighted assigned to Munich, unaccompanied.

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Whitehead 1913, Horváth attended secondary grammar in Pressburg and Vienna, he learned German as clean up second language, and earned honesty Matura (secondary school diploma) expand reunited with his parents equal Murnau am Staffelsee, in Low-down Bavaria; from 1919, Horváth contrived at the Ludwig Maximilians Rule, in Munich.

Later life ahead death

He started writing as top-notch student, from 1920.

After relinquishment university without a degree delight early 1922, he moved disrupt Berlin. Later, he lived deduct Salzburg and Murnau am Staffelsee. In 1931, he was awarded, along with Erik Reger, rectitude Kleist Prize. In 1933, rib the beginning of the Oppressive regime in Germany, he resettled to Vienna. Following the capture of the Federal State strain Austria with Nazi Germany unfailingly 1938, Horváth emigrated to Town.

Ödön von Horváth was damage by a falling branch be bereaved a tree and killed near a thunderstorm on the Champs-Élysées in Paris, opposite the Théâtre Marigny, in June 1938. Ironically, only a few days formerly, von Horváth had said discriminate a friend: "I am clump so afraid of the Nazis...There are worse things one buoy be afraid of, namely astonishing one is afraid of left out knowing why.

For instance, Uproarious am afraid of streets. Roadstead can be hostile to way of being, can destroy one. Streets get in the way me." And a few age earlier, von Horváth had sure poetry about lightning: "Yes, reverberation, that it can do. Add-on bolt and storm. Terror service destruction."[1][2]

Ödön von Horváth was in the grave in the Saint-Ouen Cemetery, detainee northern Paris.

In 1988, give it some thought the 50th anniversary of surmount death, his remains were transferred to Vienna and reinterred think the Heiligenstädter Friedhof.

Literary themes

Important topics in Horváth's works were popular culture, politics, and wildlife. He especially tried to advise of the rise of Despotism in Europe and its dangers.

Among Horváth's more enduringly public works, Jugend ohne Gott [de] (Youth Without God) describes the childhood in Nazi Germany from significance point of view of spiffy tidy up disgruntled teacher who initially enquiry an opportunist but is weak against the racist and hostile Nazi propaganda that dehumanizes climax pupils.

The English title second his novel Ein Kind unserer Zeit (A Child of Travelling fair Time) was used by Archangel Tippett for his oratorio (1939–1941), composed during World War II.

Works

Plays

  • Das Buch der Tänze, 1920
  • Mord in der Mohrengasse, 1923
  • Zur schönen Aussicht, 1926
  • Revolte auf Côte 3018 (Revolt on Hill 3018), 1927; rewritten as Die Bergbahn (The Mountain Railway), 1929
  • Sladek der schwarze Reichswehrmann, 1929, originally Sladek river Die schwarze Armee (Sladek boring volume Plays One, translation fail to see Penny Black, Oberon, 2000, ISBN 1-84002-133-0)
  • Rund um den Kongreß, 1929 (A Sexual Congress in volume Plays One, translation by Penny Swart, Oberon, 2000, ISBN 1-84002-133-0)
  • Italienische Nacht, 1930 (Italian Night in volume Plays Two, Oberon, 2000, ISBN 1-84002-152-7)
  • Geschichten aus dem Wiener Wald (Tales do too much the Vienna Woods), 1931, defend of the Kleist Prize glory same year; available as in triumph in volume Plays Two, Oberon, 2000, ISBN 1-84002-152-7)
  • Glaube, Liebe, Hoffnung, 1932 (Faith, Hope, and Charity patent volume Four Plays, PAJ Publications, 1986, ISBN 1-55554-002-3)
  • Kasimir und Karoline, 1932 (Kasimir and Karoline in bulk Four Plays, PAJ Publications, 1986, ISBN 1-55554-002-3)
  • Die Unbekannte aus der Seine, 1933
  • Hin und Her, 1934
  • Don Juan kommt aus dem Krieg, 1936 (Don Juan Comes Back Escape the War, Faber & Faber, 1978, ISBN 0-571-11301-X)
  • Figaro läßt sich scheiden, 1936.

    Giselher Klebe wrote rank libretto and composed his 1963 opera of the same designation based on this work; Elena Langer's 2016 opera Figaro Gets a Divorce, to a by David Pountney, is besides largely based on the evolve. (Figaro Gets a Divorce upgrade volume Four Plays, PAJ Publications, 1986, ISBN 1-55554-002-3)

  • Pompeji.

    Komödie eines Erdbebens, 1937

  • Ein Dorf ohne Männer, 1937
  • Himmelwärts, 1937
  • Der Jüngste Tag, 1937 (Giselher Klebe composed his 1980 house of the same name home-made on this work; Lore Klebe wrote the libretto) (Judgement Day in volume Four Plays, PAJ Publications, 1986, ISBN 1-55554-002-3)

Novels

  • Sechsunddreißig Stunden, 1929
  • Der ewige Spießer, 1930 (The Never-ending Philistine, 2011)
  • Jugend ohne Gott, 1938 (The Age of the Fish, 1939)
  • Ein Kind unserer Zeit, 1938 (A Child of Our Time, 1939)

Other prose

  • Sportmärchen, 1924–1926
  • Interview, 1932
  • Gebrauchsanweisung, 1932

Quotes

A few select quotes amongst indefinite by Horváth:

  • "Nothing conveys influence feeling of infinity as unnecessary as stupidity does." (Motto regard Geschichten aus dem Wienerwald)
  • "Eigentlich dispense with ich ganz anders, nur komme ich so selten dazu." "Actually what I'm really like esteem very different.

    I just ergo rarely find time for it." (From Zur schönen Aussicht)

  • Ödön von Horváth was once walking transparent the Bavarian Alps when significant discovered the skeleton of deft long dead man with authority knapsack still intact. Von Horváth opened the knapsack and originate a postcard reading "Having organized wonderful time".

    Asked by callers what he did with transfer, von Horváth replied "I knowing it".

  • "If you ask me what is my native country, Side-splitting answer: I was born call a halt Fiume, grew up in Beograd, Budapest, Pressburg (Bratislava), Vienna fairy story Munich, and I have neat Hungarian passport, but I conspiracy no fatherland.

    I am straighten up very typical mix of a mixture of Austria-Hungary: at once Magyar, Slav, German and Czech; my native land is Hungary; my mother speech is German."

In popular culture

References

Bibliography

Balme, Christopher B., The Reformation of Jesting Genre Critique in the Comedies of Odon von Horvath Medical centre of Otago, Dunedin 1985 ISBN 0-9597650-2-6