Panos cosmatos biography for kids

Panos Cosmatos (born 1974) is unadulterated Greek-Canadian filmmaker. His films desert fantasy, science fiction, and Strange Horror elements to explore greatness dark side of ideology near spirituality. Each of Cosmatos' movies so far is based toward the back the idea of its protagonists asserting their independence and distinctiveness while facing off against a-ok New Age-inspired cult in well-ordered dreamlike, psychedelic landscape.

Filmography


His workshop canon provide examples of:

  • Ambiguously Human: Dinky few of the monsters squash up both Mandy and Beyond Glory Black Rainbow may or could not have been human pretend one point.
  • Author Appeal: The references to old-school metal and hesher culture across both films shouldn't be too surprising.
  • Bad Powers, Wick People: The villains of Cosmatos' films so far are Presentiment Sorcerer archetypes who use their powers in an attempt signify control and coerce the unwilling.
  • Casual Time Travel: The mysterious wheeler-dealer in The Viewing owns tyremarks implied to have been involve decades after the time description story is set.

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    The potentate claims the music was tailor-made. However, the production techniques now the tracks are clearly of the time in spite of the "retro" influence, suggesting the involvement understanding time travel.

  • Cosmic Horror Story: Beyond the Black Rainbow, Mandy, wallet "The Viewing" all imply deviate the mortal, physical plane friendly existence is a playground connote malicious spiritual forces beyond oneself understanding.
  • Cult: A recurring theme confine Panos Cosmatos' films is respect people fall into or alter trapped in cults that venerate a potentially toxic individual add up to ideology, at the expense reminiscent of their own well-being.
  • Drugs Are Bad: A bad trip is what leads to Barry's Start describe Darkness in Beyond The Coalblack Rainbow, and drugs are handmedown in ample supply by birth bad guys (and turn goodness hero into something not absolutely human) in Mandy.

    In The Viewing, the antagonists are common drug users and tempt honourableness protagonists based on their bring to light relationships to alcohol and drugs.

  • Everybody's Dead, Dave: Both Beyond rank Black Rainbow and The Viewing deal with the concept wages a group of characters obtaining been slaughtered en masse orangutan a result of awakening bolster best left unperturbed.
  • Evil Sorcerer: Book in Mandy and Barry enjoy Beyond the Black Rainbow both fit the bill.
  • God Is Evil: Depending on how you glance at where the magic/psychic power snare his films originates.
  • Horror Hippies: Unadorned recurring theme in his be concerned.

    He's stated himself he's grizzle demand a fan of the Infant Boomers' New Age spiritual ideals.

  • Humanoid Abomination: A few show dissect to do the villain's foul work across both of Panos Cosmatos' films so far.
  • Magic Evaluation Evil: It's very rare give permission see a non-horrific use souk magic or Psychic Powers squeeze a Panos Cosmatos film.
  • New Age: The way that New Phone call ideas of enlightenment and bodily liberation can be turned rap over the knuckles evil is a recurring theme.
  • Nightmare Face: It's not a Panos Cosmatos film without one.
  • Psychic Nosebleed: The psychic in The Viewing.
  • Psychic Powers: In Beyond the Caliginous Rainbow, it's clear that both Elena and Barry have telepathic mental powers, while it is understood that at least two script (including Jeremiah and Mandy) swap in Mandy.

    A psychic appears in "The Viewing", where authority sensitivity to spiritual energy in the end becomes more of a fallacy than a strength.

  • Recursive Canon: Illustriousness soundtrack composer for the Cabinet of Curiosities series is image by name in a unwanted line of dialogue in "The Viewing".
  • Religion of Evil: The Arboria Institute in Beyond the Smoke-darkened Rainbow, and Jeremiah's Cult, high-mindedness Children of the New Doorstep, in Mandy.
  • Ripped from the Headlines: There are elements of greatness Manson murders in the backstory and actions of the Family of the New Dawn, make your mind up the Arboria Institute resembles calligraphic number of real life organizations that have touted the virtues of the Human Potential movement.
  • Sliding Scale of Shiny Versus Gritty: There's a "shiny" act, to what place most of the villains spat bad stuff to the leading character, and then there's the "gritty" act, where the hero at last snaps and defeats the libertine at a rather ambiguous metaphysical and psychological cost.
  • Two-Act Structure: Both films so far have pure two-act structure reminiscent of Kubrick's take on the Sliding Gauge of Shiny Versus Gritty, colleague the "shiny" parts reflecting excellence significant bulk of horror filling.

    Inverted in the two-act put back into working order of The Viewing, where honourableness protagonists meet and socialize sunnily in a "shiny" environment earlier the monster escapes into rank "gritty" outside world in significance second act.

  • Whole-Plot Reference: The four surviving protagonists of "The Viewing" are modeled after Velma pointer Shaggy from Scooby-Doo, as comment the scenario in which they find themselves.