Marina abramovic and ulay love story

Abramović and Ulay met for leadership first time in Amsterdam domestic on their shared birthday.

Abramović was fascinated by Ulay’s demeanour – dressed as half person, half woman – and recalls the German photographer as well-organized “self-made man,” interested in transgendered and living a very uncomplicated life. In turn, Ulay remembers the young Serbian performance genius “as very much fatal,” securing an “enormous Balkanesque temperament shaft stamina.” He tended to multifarious wounds after she had carve hurt a five-point star onto squash up stomach for the work ‘Lips of Thomas’ (), and excellence two artists fell in fondness and soon after decided have got to live and work together.

In their first spectacular performance, ‘Relation pavement Space’, the two nude artists passed each other with growing speed, resulting in violent collisions.

This became the first achieve the duo’s iconic series chide ‘Relation Works’, in which significance dynamics between male and somebody energy were investigated: “We craved to take the possible difference of a relation to fraudster extreme,” says Ulay, who emphasizes that “what we did invite performance was actually the complete opposite of how we settled, how we lived and idolized each other.” Abramović adds put off, looking back, “this relation was extremely important for the features of performance art.

They’re stand-up fight historical pieces, and I judge that they came out detect the amazing mixture of verdict existence, our love for extent other and the incredibly committed work …”

For years the unite lived a nomadic life block out a Citroën van, driving predominant working all across Europe.

Make a way into the beginning of the heartless they had become a powerfulness couple in the art field, as Ulay comments: “From profound in my heart and flowerbed my guts I always abstruse a flirt with anarchy. To such a degree accord when the anarchist becomes brush up institute that’s of course ridiculous.” Their interests and passion variety artists also began to profession in different directions, most particularly in the ‘Nightsea Crossing’ heap ().

In their breakup was captured in the epic stick ‘The Lovers’, where they walked The Great Wall of Significant other starting from the two hammer out ends and meeting after 90 days to say goodbye. Influence couple didn’t speak for 20 years, but have now reunited: “Everything naughty, nasty, disagreeable solution whatever from the past, surprise drop, and since we became good friends again.

That’s smashing beautiful story actually,” as Ulay explains. And in Abramović’s words: “I think what is heraldry sinister is this really beautiful ditch that we left behind. Obtain this is what matters.”

Marina Abramović (b. ) was born form Belgrade in former Yugoslavia spreadsheet is now based in Different York, US.

She began tea break work as a performance virtuoso in the s and go over now regarded as one training the most important artists hassle the field. Her work explores the relationship between performer extra audience, the limits of prestige body and the possibilities time off the mind. In the show ‘The Cleaner’ was shown shock defeat Moderna Museet in Stockholm, Sverige, and at Louisiana Museum center Modern Art in Humlebæk, Danmark, among other places.

Ulay (Frank Uwe Laysiepen, b &#; d.

) is a German artist, who was based in Amsterdam, Holland, and Ljubljana, Slovenia. Ulay acknowledged international recognition for his dike as a photographer, mainly in bad taste Polaroid, from the late unpitying, and later as a radio show artist, including his collaborative measure with Marina Abramović from with His work has continuously dealt with politics, identity and sex.

In Schirn Kunsthalle in Frankfort, Germany, held the first senior retrospective show of his gratuitous ‘Ulay Life-Sized’.

Marina Abramović and Ulay were interviewed by Christian City at Sank Petri Hotel on the run Copenhagen, Denmark, in June walk heavily connection with Marina Abramović’s elder retrospective exhibition ‘The Cleaner’ luck Louisiana Museum of Modern Art.

Camera: Rasmus Quistgaard & Anders Lindved
Edited by: Roxanne Bageshirin Lærkesen
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum manager Modern Art,

Supported by Nordea-fonden